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The
activity carried out every year by the Cultural
Association, "Mata
e Grifone" Folk Group and always intense and very
demanding. In 2018 in
January organized the "X ° Regional Meeting of the
bagpipe" the event
takes place in conjunction with the party of "U
PAGGHIARU" which
takes place every year on the day of the Epiphany in
the village of Bordonaro.
In the month of July he participated in the 14th
International "Traditional
Meeting of Artists" in the city of Istanbul - Pendik
-Turchia.There were
other folk groups present at the Festival
representing other continents: The
group during the events, brought on the stages, some
songs, dances and popular
music typical of the Sicilian Region, also attended
conferences, on the various
cultures present, visited exhibitions, art museums
and popular traditions, and
at the same time was received by the highest civil
and religious authorities,
giving them of books on Sicilian popular culture In
August, in collaboration
with the Municipality of Messina, and the Regional
Province of Messina, and
with other folk Associations belonging to the FITP
(Italian Federation of
Popular Traditions) organized the classic walk of
the legendary giants
"Mata and Grifone "popular event that takes place
every year for the
celebrations of the August holiday in Messina
ttembre has participated in many
other events, folklore as, VI ° Edition of the
Regional Festival. In the same
year in October he participated in the International
Festival of the bagpipe
"SACKPFEIFEN in SCHWABEN" Balingen - Germany,
attended by other
groups of musicians representing other European
countries. During its activity,
the group continues its studies and research, in the
study and dissemination of
the Sicilian folk traditions, the research is
carried out in countries,
municipalities, historical sites, historical
archives, museums, and at the same
time collects testimonies at the people of the
places. The group in its many
activities has been carrying on for many years, a
laboratory project that sees
the study the research the construction and tuning
at the same time, the sale
of bagpipes (ciaramedde in paro), flutes
(friscaletti), double flutes pipes.
The association, every year, with the approach of
the Christmas festivities,
offers "Cultural concerts of music and Christmas
carols", (novene)
performed by players of bagpipes, (ciaramedde in
paro), pipers.
Bagpipe
to “I protect”
The
bagpipe is an aerofono with varying organologiche in
relationship in the geographical and cultural area of use.
Characteristic of the Sicilian territory is the bagpipe to “I
protect”, whose denomination is reported to the equal length
of the two principal reeds (note to I protect). You same, in
relationship to its dimensions, or to the measure of the
charterses and the relative bourdons, you/he/she can be
distinguished in:
a) -
great, if its two chanterses measure between the 50 and the 60
cms.;
b)
- average if the chanterses measure between the 40 and the 50
cms.;
c)
- average - small if the chanters s measure between the
38 and the 40 cms..
d)
- small if the chanters s measure below the 38 cms., in
use in the area of the Peloritani mountains, usually destined
to the boys so that they understand the first notions of
technique of the tool.
Flute
(I whistle)
Belonging
to the large family of the aerofonis, diffused in all the
ancient cultures of the Mediterranean, the I whistle or Flute of
mouth wedged reed "Flute of mouth wedged reed", together with
those in bone, in the city areas and especially in those rural
it acquitted to different ritual and ceremonial functions. For
the construction of the I whistle a segment of reed of the hard
type it is used drawn by plants that they grow in dry grounds,
exposed to North; used more rarely the bamboo reed" in how much
very hard to work, but from the final intonation as many valid.
The nature, therefore, in the construction of this tool, it
plays a very important role, since it often conditions the
artisan builder in the choice of the reed. Particularly it needs
to hold in consideration how bigger it is the reed, more the
knots are distant the one from the other, less acute they will
be the sounds gotten by the tool, for which a reed will be
chosen younger and therefore more slender if he/she is wanted to
build a tool more acute, more adult and thicker if contrarily
he/she is wanted to get an I whistle more serious and therefore
from the sweetest and melodic sound. The musical qualities of a
good I whistle they depend really from this, from the type of
reed that is used, or from the diameter and from the length of
the sonorous pipe, drawn by two cuts, the one before a knot and
the other a pair of centimeters after the following knot: this
will also serve as function of support in how much the reed is
subject to easy breakings.
Fotogallery Zampognari
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Fotogallery Fischietti
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